Michiko and Hatchin #01 — And Your Little Dog Too!
October 15th, 2008
Making Disney villains look normal…
Impressions:
Ah, finally… the last of this season’s new series.
Well… the Michiko parts were alright, but those lasted maybe two minutes of the entire episode. They were completely eclipsed by the awful writing in the Hatchin/Hana segments. Those were so ridiculously excessive that it got painful. There’s making things clear, and being so over the top and using a cluehammer so large that it completely stops being believable. Hatchin’s family is Cinderella’s stepmother and sisters about five times over. Flicking food at the table? Fine. Throwing rocks? Alright, they’re physically abusive too; that’s fine. Pushing her down the stairs? There’s the line and then some. Throwing the cat in a sack, telling her to get rid of it, and then telling the son that it was Hana who did it? A bit past the line and into "we have no idea how to write a dysfunctional family" territory. Letting one kid ride her around while the other attempts to brand her face with an iron? We’ve obliterated the line of believability and are somewhere in make-believe land waiting for Santa to fly in with the Hanukkah Zombie and Kwanzaa Gundam for the Hogswatch party.
It was animated well enough, but for a season filled with a ton of high production value shows, it’s didn’t really seem to be putting in quite as much effort as most. I’m not really certain what they were doing with the camera occasionally. They zoomed from evil stepmother to the breakfast table back up to evil churchy stepfather, giving the impression that the camera was on a slack zipline and it bounced off their breakfast. They didn’t even do things like that particularly often though, but I guess at least the art was nice enough. The highlight of the production was the music, but it very much feels like they just took Cowboy Bebop’s score, added some maracas and whatever else felt Latin to them, and called it a day. I expected some similarities since Watanabe’s in charge of the music on this one, but not quite to this level. Oh well, at least it’s good music, even if it may be a remix.
So really, this episode went in pretty much the exact direction that I feared it would. Almost all of the focus was on Hana and how unbelievably awful her life is before she was saved and the healing of her fragile little childish psyche can begin. I expect that things would get better from here on out now that the terrible family and that particular source of godawful writing is out of the way, but at the same time, starting off with something completely out of touch with reality and spending most of the episode on it doesn’t really give me too much hope that they won’t do something similar in the future. I do sincerely expect the next episode to be quite a bit better, the only question is whether it’ll be better enough to actually be sensible.
Michiko & Hatchin OP
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Ride a loli!